Avery-Quash, Susanna (2020) John Ruskin and the National Gallery: evolving ideas about curating the nation’s paintings during the second half of the nineteenth century. Journal of Art Historiography (22). ISSN 2042-4752
| PDF avery%2Dquash.pdf 575Kb |
URL of Published Version: https://arthistoriography.wordpress.com/22-jun20/
Identification Number/DOI: 10.48352/uobxjah.00003403
| Type of Work: | Article |
|---|---|
| School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
| Department: | Department of Art History, Curating and Visual Studies |
| Additional Information: | This article is archived in ePapers for preservation purposes |
| Date: | June 2020 |
| Keywords: | national heritage, regional interdependencies, beyond political borders, ‘belatedness’, central and eastern European art, ‘western’ art historiography |
| Subjects: | N Fine Arts > NX Arts in general |
| Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
| ID Code: | 3403 |
| Local Holdings: |
|
Repository Staff Only: item control page
