Heyder, Joris Corin (2021) Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks. Journal of Art Historiography (24). ISSN 2042-4752
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URL of Published Version: https://arthistoriography.files.wordpress.com/2021/05/heyder-intro.pdf
Identification Number/DOI: https://doi.org/10.48352/uobxjah.00003417
Abstract
The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or a copy, it becomes apparent that connoisseurial practices still play a remarkable role in art historical endeavors. This can be demonstrated with a look at the contributions, which are bringing together and reflecting both historical and current connoisseurial practices.
Type of Work: | Article |
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School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
Department: | Department of Art History, Curating and Visual Studies |
Additional Information: | This article is archived in ePapers for preservation purposes |
Date: | June 2021 |
Keywords: | Connoisseurship, practices, comparing, judging, practice theory, methodology |
Subjects: | N Fine Arts > NX Arts in general |
Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
ID Code: | 3417 |
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