Kim, Allison (2021) Today as history: Vasari’s Naples Resurrection and visual memory. Journal of Art Historiography (25). ISSN 2042-4752
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URL of Published Version: https://arthistoriography.wordpress.com/25-dec21/
Identification Number/DOI: https://doi.org/10.48352/uobxjah.00003477
Abstract
Giorgio Vasari’s (1511-74) literary contributions to the discipline of art history are incontestable. Rarely has scholarly literature given commensurate weight to his paintings. This article examines one of Vasari’s mid-career works, the Naples Resurrection (1545), and argues that the paintingsimultaneously typifies and singularly challenges the traditions of artistic production of its time through explicit and implicit references to Vasari’s contemporaries, namely Rosso Fiorentino, Michelangelo Buonarroti, and Raphael. A careful reading of these borrowings, some of which have long gone unnoticed, provides a new perspective on this often-overlooked painting and offers a deeper understanding of Vasari’s deliberate attempts at self-promotion and his relationship to the art of his time. This article considers how Vasari’s artistic practice embodied sixteenth-century themes of imitation and invention and had larger impacts on individual artistic identities and broader visual memory.
Type of Work: | Article |
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School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
Department: | Department of Art History, Curating and Visual Studies |
Additional Information: | This article is archived in ePapers for preservation purposes |
Date: | December 2021 |
Keywords: | Vasari, painting, Renaissance, Italy, imitation, invention, memory |
Subjects: | N Fine Arts > NX Arts in general |
Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
ID Code: | 3477 |
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