Cooperrider, Kensy (2021) The many meanings of a gestural motif. Journal of Art Historiography (25). ISSN 2042-4752
| PDF - Published Version cooperrider_lange.pdf 382Kb |
URL of Published Version: https://arthistoriography.wordpress.com/25-dec21/
Identification Number/DOI: https://doi.org/10.48352/uobxjah.00003483
Abstract
In an insightful 1887 essay, the Danish art historian Julius Lange explored the many meanings of a common but overlooked gesture—that of bringing a hand to one’s chest. Through a close study of how this motif changed across centuries of European art, he raised questions about the nature of bodily meaning, its multiplicity, and the forces that shape it—questions that contemporary gesture researchers still grapple with. His essay also raised questions—tantalizing if perhaps unanswerable—about how gesture in art compares to gesture in life.
Type of Work: | Article |
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School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
Department: | Department of Art History, Curating and Visual Studies |
Additional Information: | This article is archived in ePapers for preservation purposes |
Date: | December 2021 |
Keywords: | gesture; painting; expression; emotion; pointing |
Subjects: | N Fine Arts > NX Arts in general |
Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
ID Code: | 3483 |
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