Hönes, Hans Christian (2021) ‘Painting Art History’. Review of: Léa Kuhn, Gemalte Kunstgeschichte. Bildgenealogien in der Malerei um 1800, Paderborn: Fink 2020, ISBN-13: 978-3-7705-6453-8, 333pp., EUR 69,00. Journal of Art Historiography (25). ISSN 2042-4752
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URL of Published Version: https://arthistoriography.wordpress.com/25-dec21/
Identification Number/DOI: https://doi.org/10.48352/uobxjah.00003492
Abstract
In her new book “Gemalte Kunstgeschichte” [Painted Art History] Léa Kuhn argues that the late 18th-century saw not only the rise of modern art historiography as a scholarly discipline, but that artists increasingly painted pictures that reflected on their own historicity. Kuhn develops her argument through close-readings of three self-portraits by Johann Heinrich Wilhelm Tischbein, William Dunlap, Marie-Gabrielle Capet. This review discusses her approach and its the insights it offers for the study of art historiography.
Type of Work: | Article |
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School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
Department: | Department of Art History, Curating and Visual Studies |
Additional Information: | This article is archived in ePapers for preservation purposes |
Date: | December 2021 |
Keywords: | self portraiture, self-reflexivity, genealogy, Johann Heinrich Wilhelm Tischbein, William Dunlap, Marie-Gabrielle Capet. |
Subjects: | N Fine Arts > NX Arts in general |
Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
ID Code: | 3492 |
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