Guzzetti , Francesco (2022) La Filosofia di Andy Warhol and the turmoil of art in Italy, 1983. Journal of Art Historiography (26). ISSN 2042-4752
| PDF - Published Version 4%2Dguzzetti.pdf 811Kb |
URL of Published Version: https://arthistoriography.wordpress.com/26-jun22/
Identification Number/DOI: https://doi.org/10.48352/uobx.00004076
Abstract
The article revolves around the first Italian edition of The Philosophy of Andy Warhol. By reconstructing the history of the reception of Warhol in Italy since the 1960s, I position the book within the cultural moment at the turn of the 1980s. I look at the strategies behind the publication and compare it with the original English edition to assess both the editorial presentation and the quality of the translation. Focusing on the similarities as well as the diverging aspects, I argue that the book reinforced the perception of Warhol in Italy as an influential, yet controversial, figure.
| Type of Work: | Article |
|---|---|
| School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
| Department: | Department of Art History, Curating and Visual Studies |
| Additional Information: | This article is archived in ePapers for preservation purposes |
| Date: | June 2022 |
| Keywords: | history of publishing, Italian studies, visual studies, Germano Celant, Pop art, translation studies |
| Subjects: | N Fine Arts > NX Arts in general |
| Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
| ID Code: | 4076 |
| Local Holdings: |
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