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Moriz Thausing and the road towards objectivity in the history of art

Johns, Karl (2009) Moriz Thausing and the road towards objectivity in the history of art. Journal of Art Historiography (1). ISSN 2042-4752

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URL of Published Version: https://arthistoriography.wordpress.com/number-1-december-2009/

Identification Number/DOI: 10.48352/uobxjah.00004121

Abstract

On the basis of their substantial publications and widely publicized polemics, Alois Riegl and Franz Wickhoff are justifiably considered the founding figures of the so-called Vienna School of Art History. The historical accident that specialized journals did not previously exist, and meetings and public discussions of the methodology of the history of art did not yet regularly take place, should not however obscure the fact that a coherent and outspoken tradition already existed. When Moriz Thausing held his inaugural lecture in 1873, he was delineating a course of study which linked the history of art to the other disciplines as he must have himself already have been teaching for nearly a decade. His discussion of the nature of art and the method of its historical study as distinct from related subjects and particularly philosophical aesthetics are worth recalling in the context of the origins of the academic study of the history of art.

Type of Work:Article
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Art History, Curating and Visual Studies
Additional Information:

This article is archived in ePapers for preservation purposes

Date:December 2009
Subjects:N Fine Arts > NX Arts in general
Copyright Status:Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/
ID Code:4121
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