Blaha, Agnes (2009) Fritz Novotny and the new Vienna school of art history – an ambiguous relation. Journal of Art Historiography (1). ISSN 2042-4752
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URL of Published Version: https://arthistoriography.wordpress.com/number-1-december-2009/
Identification Number/DOI: 10.48352/uobxjah.00004131
Abstract
Fritz Novotny was repeatedly described as a member of the New Vienna School. In my paper I argue that Novotny’s relation to this group is rather ambiguous because Novotny, in spite of all similarities in the descriptions of formal qualities, had a very different attitude towards the role of the individual artwork than Sedlmayr and Pächt. Instead of aiming at a definite decision whether or not to include Novotny in the New Vienna School, the article demonstrates that opinions on this question can be interpreted as the result of different academic traditions in the Anglo-American and the German-speaking scientific communities.
| Type of Work: | Article |
|---|---|
| School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
| Department: | Department of Art History, Curating and Visual Studies |
| Additional Information: | This article is archived in ePapers for preservation purposes |
| Date: | December 2009 |
| Subjects: | N Fine Arts > NX Arts in general |
| Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
| ID Code: | 4131 |
| Local Holdings: |
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