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Gombrich on image and time

Nyíri, Kristóf (2009) Gombrich on image and time. Journal of Art Historiography (1). ISSN 2042-4752

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URL of Published Version: https://arthistoriography.wordpress.com/number-1-december-2009/

Identification Number/DOI: 10.48352/uobxjah.00004150

Abstract

There is a very close, indeed intrinsic, connection between the notions of image and time. Images are incomplete unless they are moving ones – unless, that is, they happen in time. On the other hand, time cannot be conceptualized except by metaphors, and so ultimately by images, of movement in space. That only the moving image is a full-fledged one is a fact that was fully recognized and articulated by Ernst Gombrich. Also, Gombrich entertained, and argued for, a rich and well-balanced view of the relationships between pictorial and verbal representation. An antidote to the unholy influence of Goodman, Gombrich deserves to be rediscovered as the figure whose work is ideally suited to providing a founding paradigm for a truly successful philosophy of images.

Type of Work:Article
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Art History, Curating and Visual Studies
Additional Information:

This article is archived in ePapers for preservation purposes

Date:December 2009
Subjects:N Fine Arts > NX Arts in general
Copyright Status:Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/
ID Code:4150
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