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Introduction to The Print in the Codex, Part 2 of a series

Musto, Jeanne-Marie (2022) Introduction to The Print in the Codex, Part 2 of a series. Journal of Art Historiography (27). ISSN 2042-4752

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URL of Published Version: https://arthistoriography.wordpress.com/27-dec22/

Identification Number/DOI: https://doi.org/10.48352/uobxjah.00004162

Abstract

The following paper by Silvia Massa was first presented at a session sponsored by the Bibliographical Society of America that I chaired on 10 February 2021 at the 109th College Art Association Annual Conference. Entitled ‘The Print in the Codex’, the session considered books transformed through the incorporation of independently printed images. This is the second of two papers from the session to appear in this journal; Sarah Schaefer’s study of the impact of extra-illustration on printing history, ‘Bibles Unbound: The Material Semantics of Nineteenth-Century Scriptural Illustration’, appeared in the June 2022 issue.

Type of Work:Article
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Art History, Curating and Visual Studies
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This article is archived in ePapers for preservation purposes

Date:December 2022
Keywords:print albums, single-sheet prints, print rooms, history of collecting, curatorship, history of books, Bibliographical Society of America, College Art Association
Subjects:N Fine Arts > NX Arts in general
Copyright Status:Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/
ID Code:4162
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