Cooperstein, Shana (2022) ‘Historicizing pose: the body in the modern era’. Review of: Emmelyn Butterfield-Rosen, Modern Art & the Remaking of Human Disposition, Chicago: University of Chicago Press, 2021, 352pp., $55.00 hdbk, ISBN: 9780226745046, $54.99 pdf & epub, ISBN: 9780226745183. Journal of Art Historiography (27). ISSN 2042-4752
PDF - Published Version cooperstein.pdf 267Kb |
URL of Published Version: https://arthistoriography.wordpress.com/27-dec22/
Identification Number/DOI: https://doi.org/10.48352/uobxjah.00004179
Abstract
By the end of the nineteenth century, artists across Europe revived archaic modes of posing the body. This review assesses recent scholarship by Emmelyn Butterfield-Rosen on the subject of posture and its relationship to psychology in European modernism.
Type of Work: | Article |
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School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
Department: | Department of Art History, Curating and Visual Studies |
Additional Information: | This article is archived in ePapers for preservation purposes |
Date: | December 2022 |
Keywords: | European art, European modernism, history of evolutionary biology, history of psychology, pose, posture, disposition, Georges Seurat, Gustav Klimt, Vaslav Nijinsky |
Subjects: | N Fine Arts > NX Arts in general |
Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
ID Code: | 4179 |
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