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Words of suspension. The definition of ‘Written Sources’ in Julius von Schlosser’s Kunstliteratur

De Mambro Santos, Ricardo (2010) Words of suspension. The definition of ‘Written Sources’ in Julius von Schlosser’s Kunstliteratur. Journal of Art Historiography (2). ISSN 2042-4752

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URL of Published Version: https://arthistoriography.wordpress.com/number-2-june-2010/

Identification Number/DOI: 10.48352/uobxjah.00004193


Generally considered as a monument of erudition and examined almost exclusively from a philological point of view, Julius von Schlosser’s “Kunstliteratur” (Vienna, 1924) is seldom analyzed, on the contrary, from a theoretical, conceptual or philosophical perspective. This paper provides a critical reading of Schlosser’s restrictive concept of “written sources” putting it in relation with a larger network of intellectual exchanges, in which Croce’s aesthetic premises and Vossler’s linguistic investigations play an important role in the process of epistemological distinction between “Kulturgeschichte” (History of Culture) and “Kunstgeschichte” (History of Art).

Type of Work:Article
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Art History, Curating and Visual Studies
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This article is archived in ePapers for preservation purposes

Date:June 2010
Subjects:N Fine Arts > NX Arts in general
Copyright Status:Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/
ID Code:4193
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