Ghiraldini , Anna (2022) From analog to digital: The archive of Enzo Mari as a case study. Journal of Art Historiography (27s). ISSN 2042-4752
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URL of Published Version: https://arthistoriography.wordpress.com/27s-dec22/
Identification Number/DOI: https://doi.org/10.48352/uobxjah.00004208
Abstract
The paper presents a digital project I developed for the archive of Enzo Mari preserved at the CSAC (Study Centre and Communication Archive, CSAC) of the University of Parma (Italy) as part of my doctoral thesis. By taking into account the efforts made by national and international institutions, a project of a prototype has been developed, presenting a part of the author’s research and production between the Fifties and the Nineties organised in categories, with the will to share with a large audience of scholars and enthusiasts. The work has been conducted with the digital support of Italian company Hyperborea.
| Type of Work: | Article |
|---|---|
| School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
| Department: | Department of Art History, Curating and Visual Studies |
| Additional Information: | This article is archived in ePapers for preservation purposes |
| Date: | December 2022 |
| Keywords: | design, memory, Enzo Mari, digitisation, archive |
| Subjects: | N Fine Arts > NX Arts in general |
| Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
| ID Code: | 4208 |
| Local Holdings: |
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