Grasskamp, Anna (2023) Reframing the history of proletarian art: SinoJapanese relations in modern woodcut print culture. Journal of Art Historiography (29). ISSN 2042-4752
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URL of Published Version: https://arthistoriography.wordpress.com/29-dec23/
Identification Number/DOI: 10.48352/uobxjah.00004308
Abstract
The emergence of modern Chinese woodcut aesthetics, motifs and techniques during the early twentieth century has long been understood in relation to cultural exchanges between East and West. Art historical narratives have highlighted the influence of European art on East Asian woodcut printing, while conceptual, pictorial and technical connections between Chinese and Japanese practices have been neglected. This article reveals previously overlooked Sino-Japanese correlations in the emergence of modern print culture and argues that their absence in the Chinese history of proletarian art served political goals.
Type of Work: | Article |
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School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
Department: | Department of Art History, Curating and Visual Studies |
Additional Information: | This article is archived in ePapers for preservation purposes |
Date: | December 2023 |
Keywords: | Sino-Japanese relations, modern woodcut print, proletarian art, transcultural aesthetics, global art history |
Subjects: | N Fine Arts > NX Arts in general |
Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
ID Code: | 4308 |
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