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‘The language of beauty in African art’. Review of: The Language of Beauty in African Art, Edited by Constantine Petridis. Contributions by Yaelle Biro, Herbert M Cole, Kassim Kone, Babatunde Lawal, Constantine Petridis, Wilfried van Damme and Susan Vogel. New Haven and London: Yale UP 2022, 356 Pages, 9.00 x 12.70 in, 315 color + 30 b-w illus. ISBN 9780300260045 (hbk); 9780300269918 (ebook). $65.00.

Fọlárànmí, Stephen Adéyẹmí (2023) ‘The language of beauty in African art’. Review of: The Language of Beauty in African Art, Edited by Constantine Petridis. Contributions by Yaelle Biro, Herbert M Cole, Kassim Kone, Babatunde Lawal, Constantine Petridis, Wilfried van Damme and Susan Vogel. New Haven and London: Yale UP 2022, 356 Pages, 9.00 x 12.70 in, 315 color + 30 b-w illus. ISBN 9780300260045 (hbk); 9780300269918 (ebook). $65.00. Journal of Art Historiography (29). ISSN 2042-4752

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URL of Published Version: https://arthistoriography.wordpress.com/29-dec23/

Identification Number/DOI: 10.48352/uobxjah.00004317

Abstract

This book comprises two primary objectives. First, it seeks to curate an extensive exhibition showcasing diverse African art forms sourced from public museums and private collections in the United States and Europe. The exhibition, featuring about 300 works of art from different countries in Sub-saharan Africa, focuses mainly on the sculptural tradition of Africa. However, a few other works, such as textiles, were featured in the publication supporting the landmark exhibition. Divided into eight thematic sections, the essays by seven authors advocate for an aesthetic appreciation of the arts of Africa based on concepts, criteria and vocabularies of the cultures who made them. The book adopted a contextual or anthropological approach to present cultural case studies and analyse thematic examples from sub-Saharan Africa. The final pages of the book acknowledged pioneers, the ‘fieldwork generations’ who paved the way for the scholarly study of African arts and laid the foundation for analyses of African aesthetics from African perspectives from the 1930s to the present.

Type of Work:Article
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Art History, Curating and Visual Studies
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This article is archived in ePapers for preservation purposes

Date:December 2023
Keywords:African aesthetics, beauty, ugliness, morality, vocabularies
Subjects:N Fine Arts > NX Arts in general
Copyright Status:Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/
ID Code:4317
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