Bottura, Francesca (2023) The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s. Journal of Art Historiography (29s2). ISSN 2042-4752
| PDF - Published Version bottura.pdf 684Kb |
URL of Published Version: https://arthistoriography.wordpress.com/number-29s2-december-2023/
Identification Number/DOI: 10.48352/uobxjah.00004344
Abstract
The essay proposes a synthesis of the reception by Italian scholars of Max Dvořák’s art history theories between the 1920s and the 1940s. The resistance to his thought for both linguistic and ideological reasons will be underlined mostly based on the reviews and essays influenced by Adolfo Venturi and Benedetto Croce. Reference will also be made to some unlucky attempts to translate and communicate Dvořák’s writings, and to the evidence of a possible dialogue between Vienna and Rome.
| Type of Work: | Article |
|---|---|
| School/Faculty: | Colleges (2008 onwards) > College of Arts & Law |
| Department: | Department of Art History, Curating and Visual Studies |
| Additional Information: | This article is archived in ePapers for preservation purposes |
| Date: | December 2023 |
| Keywords: | Max Dvořák, art historiography, art history, idealism, history of ideas, Wiener Schule der Kunstgeschichte, Adolfo Venturi |
| Subjects: | N Fine Arts > NX Arts in general |
| Copyright Status: | Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ |
| ID Code: | 4344 |
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