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Late Middle Ages and Renaissance: the forgotten contribution of Max Dvořák

Beubl, Sabrina Raphaela (2023) Late Middle Ages and Renaissance: the forgotten contribution of Max Dvořák. Journal of Art Historiography (29s2). ISSN 2042-4752

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URL of Published Version: https://arthistoriography.wordpress.com/number-29s2-december-2023/

Identification Number/DOI: 10.48352/uobxjah.00004348

Abstract

Max Dvořák, one of the pilasters of the Viennese school of art history, is nowadays widely known for the works of his final years as well as for writings on monument conservation. Through a reconstruction of the historical and academic context and a brief presentation of Dvořák’s studies on the transition period from the fourteenth to the fifteenth century, the author aims to show that the Bohemian scholar made an important contribution to the art historical debate of the time, for which he is hardly appreciated today.

This article examines a selection of Dvořák’s early writings from the first decade of the twenthieth century. In particular, the habilitation thesis Das Rätsel der Kunst der Brüder van Eyck (The Enigma of the Art of the Van Eyck Brothers, 1903) is consulted. While many scholars claim that there is a wide gap between his older works and those from the last years of his life, as stated by his former students Karl M. Swoboda and Johannes Wilde in the preface to Kunstgeschichte als Geistesgeschichte (1924), it is argued here that Dvořák’s point of view already presents the basic elements of his more mature conclusions at the beginning of his academic career. Likewise, it is reflected on the fact that Dvořák made a remarkable contribution to a new consideration of the transitional period between the late Middle Ages and the Renaissance, among other workd, with his Enigma, but that this is today attributed not to him but to the cultural historian Johan Huizinga and his work Autumn of the Middle Ages (1919).

Type of Work:Article
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Art History, Curating and Visual Studies
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This article is archived in ePapers for preservation purposes

Date:December 2023
Keywords:Max Dvořák, Vienna School of Art History, Jan Van Eyck, Johan Huizinga, Late Middle Ages, periodisation
Subjects:N Fine Arts > NX Arts in general
Copyright Status:Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Authors may subsequently archive and publish the pdfs as produced by the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. Copyright restrictions apply to the use of any images contained within the articles. This work is licensed under a CC BY-NC 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/
ID Code:4348
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